I have a Linotype in studio B and the matrices to cast about 500 fonts, studio A has the press room and bindery (where the stereo lives). It's the slow way of making books in the 21st century but after recently upgrading to a new M1 Mac Mini and the new OS I find great comfort in things that "just work" or can be fixed with a little mechanical skill.
Currently working on a new illustrated edition of The Wind in the Willows in large format on bespoke handmade paper. Very little to do with the computer thankfully. It's a good life.