[edited for better clarity]
I didn’t do as much listening over the weekend as I had hoped, but a few listening impressions to give here... I don’t know enough about how to listen critically, or how to describe what I am hearing, to write real reviews, so simply take these as my impressions. While these are completely subjective views, I am trying to go about it in a somewhat structured way.
Setup: Tidal playing from Win 10 laptop. DX7s and D50 doing DAC duty over USB, Massdrop CTH and Massdrop LCX as amps. Switches used between the DACs and amps to make things easier to change. Took advantage of the LCX single ended pass through to hook the output of the switch the DACs was on to the LCX and through that to the CTH. I had the single ended output of both amps hooked up to another switch and could very quickly switch between the amps in mid-song with no delay. While both DACs were also on a switch, DAC switching was just a little more involved as I would have to stop the music, flip the switch to feed the right DAC to the amps, and then change the source in Tidal. For headphones I only used one pair - my Elex - as they are pretty revealing. The Elex are, to me, a relatively bright sounding set of headphones, and where there is sibilance in a track it will find and highlight it. They also have decent mids and bass compared to my other cans, so a good choice out of my collection to help me discern any differences... I will go back later and try with a few more. Volume matching was done by ear, but got close enough that I could detect no difference when switching real time back and forth between amps. I also could tell no difference in volume when switching between DACs (though that process was a little more involved so more prone to error if there is some output difference between the DACs).
Most of the time I did get was testing single ended vs single ended as DAC inputs into the two amps, and listening with a single ended cable on the Elex. More testing needed for single (D50) vs balanced outputs (DX7s), and using balanced cable on my Elex (as well as using other headphones). Probably should switch the filters around as well.
A couple of other notes. While having read through the measurents that Amir did on both of these amps, I have forgotten the details and chose to not re-read them to try to avoid any bias creeping in. I do recall (though might be mistaken) that the D50 measures slightly better than then DX7s and I think that the DX7s single ended measures slightly better than the balanced (but that is from memory and I have chosen to not go back and confirm). Also, this was sighted - nobody there to mix it up for me, so I was always aware of the configuration. Oh, yeah, and my ears are 50 something years old, so they will have some limitations!
Bottom line of the observations in single ended output mode... wow, there is very little to no discernible difference to my ears on the music I was testing. Maybe, just maybe, the DX7s was a touch more full sounding in quieter passages and possibly a tiny bit brighter or clearer, but I cannot be certain and that was not 100% repeatable. I suppose that should not come as a shocker - same DAC chip used, and same DAC manufacturer, and top end of their line, my guess means that there is probably little design difference, at least on the single ended part of the implementation. I tried, really I tried, to hear differences, but I couldn’t. Tonally they were the same, noise that I could detect (which was none) they were the same, etc. Music choices ranged from country to rock to classical, male and female vocals, orchestras and opera.
If you just need a single ended DAC, I can’t see why you would buy, between these two, more than the D50. Yes, that comes to you directly from Captain Obvious! But I wanted to establish that as a baseline before I do the compare of D50 (single ended) and DX7s (balanced).
A word on the amps I used... The CTH has single ended only input, while the LCX has single and balanced inputs. Both have a balanced output but on the CTH that is just a courtesy output. As I mentioned I spent the bulk of my time with both being fed single ended, and with headphones using a single ended cable. There is a difference between these amps, but not really a very big one. Most significant is I found that the CTH would roll off some of that sibilance I could hear in some tracks compared to the LCX. It was still there (it is the tracks - I can also hear it on multiple cans with these tracks) but I could hear a noticeable difference only on sibilant tracks. Other than that, though, the differences in most of the frequency range were pretty subtle (I could tell a slight difference that I really couldn’t describe well when switching between the amps, but other than where there was sibilance in a track the difference was really minor). I think that owning both is probably unnecessary and would just go with the LCX since it is more versatile with the balanced inputs, but to draw that conclusion I would need to do more pairings with other headphones. (Yes, I did in the prior paragraph say get the D50 which is single ended, and LCX which is balanced... but those two statements come with their own caveats - D50 if what you want is just single ended, and LCX if you want flexibility, and that before I have checked out the LCX when fed balanced and outputting to a balanced headphone... so that last recommendation is still subject to more testing
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I did play just a little bit with the balanced output of the DX7s vs the single ended output of the D50 using just the LCX, and just single ended cable on the Elex. But I need to listen to more before sharing my observations. Then I will move on to comparing both with the balanced cable on the Elex.
More later.