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- Jul 14, 2019
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Yep still listed HereIs the Purifi 1ET400A amp still for sale? Can't find it anymore
Yep still listed HereIs the Purifi 1ET400A amp still for sale? Can't find it anymore
Yep still listed Here
Hypex brought a paradigm shift onto the "hi-fi" DIY audio market. You can get FA122 for 300.- euro with remote. It's a stereo n-core plate amp
with a great DAC (AKM) and DSP. Put it into a nice old wine box and 99% of the population won't be able to tell the SQ difference in direct comparison with any amplifier possibly costing 30x more.
Next marketing model? IKEA-like "order-by-website" electronic innards and the case to taste to put together at home in 10 minutes.
Or "ready-made" box for 20$ extra.
Yes but as long as they like could still not be long enough as most people would give up fairly quickly.”Instaneous switching still does not address the limited amount of time of exposure to the sound which prevents learning the full character of the hardware to an extent to be able to compare minute details in the sound. “
This is also wrong. There have been many, many blind tests where the subjects were allowed to take as long as they like. Look at the thread I started called “catalogue of blind tests”. None of them have demonstrated the controlled audibility of amplifiers, cables, etc.
I suggest you spend some time with the evidence. Start with the Head-Fi compendium of blind tests. It is staggering how little evidence there is for these types of golden ear claims. Staggering. That is why people are reacting to you with disbelief.
https://www.head-fi.org/threads/testing-audiophile-claims-and-myths.486598/
This free market determination has to be far more believable than any double blind test given the inherent limitations to such test.
Maybe people here react with disbelief because they accept what they are told based on the logic and theory of electronics while completely ignoring the science and theory of how the brain perceives and interpretes audio sensory information?
If a product is commercially successful because enough people find value in said product then there is no stronger evidence as to the value of said product.No, ASR and its ilk take psychoacoustic s very seriously, and that’s why we are skeptical...nay pedantic..about Separating what is audible sound and the horribly muddled world of subjective listener perception.
The market measures preference, not *strictly audible qualities”. People don’t like expensive wristwatches because they tell time better, and people don’t like high end audio strictly because it *sounds better*. There are lots of markets where successful products aren’t best suited to task. And that is what is important to us, and what we expect when people say “it sounds better, and I can hear it”.
It’s interesting that most of your preceding remarks underscore how important rapid, unsighted, level-matched comparisons are. While reading your description, I couldn’t stop thinking about the actual evidence regarding audio memory:
https://audiosciencereview.com/foru...ity-and-reliability-of-abx-blind-testing.186/
Furthermore, consider that all of a 0.2db volume change can make a component sound better (Not to mention the Fletcher-Munson loudness changes). Do you think these swapped-in components level-matched?
When people compare without scientific control, over long periods of time, they open themselves up to these biases of bling, expectation, as well as the issues of variable gain, mood, situation, and positioning.
When I read your words with these facts in mind, it almost sounds like you are talking yourself into the ASR point of view.
We should not dress up subjective preference as if it were automatically an audible improvement in accuracy of the equipment. More often than not, it isn’t. We want to know what is *strictly audible*. And once we do, we are, indeed, amused by the ways we humans fool ourselves. Although people are more than welcome to their preferences. After all, most people look at their equipment, right between the speakers (agains advice) while they listen. that must be meaningful.
But we certainly shouldn’t give credence or status to unscientific nonsense claims by high end manufacturers. That is a bridge too far.
If a product is commercially successful because enough people find value in said product then there is no stronger evidence as to the value of said product.
If a product is commercially successful because enough people find value in said product then there is no stronger evidence as to the value of said product.
You are equating value with sound quality. People at ASR value sound quality very highly. General consumers do not. Commercial success does not equal good sound quality, it does not even mean it's a good product, it might just mean that the advertising and marketing was successful. Popularity has never equaled quality.If a product is commercially successful because enough people find value in said product then there is no stronger evidence as to the value of said product.
If people do not like a product they return the product or do not buy the product.
Why does it matter otherwise except for esoteric musings as to why a product has value to customers? There are many intangible aspects of all types of products in all industries where the whole product is greater than the sum of it's parts.
This suggests a new test. Hook L speaker to amp A & R speaker to amp B. Match levels, of course. Both mono & stereo signals could be useful here.Then you must consider the impossibility of being able to remember exactly what the first audio sample sounded like while you are listening to the second audio sample with such limited exposure.
If you haven't seen it:
The Sub-Prime Primer...
The economic theory here is that of monopolistic competition. Turn a homogeneous good into something unique, and there is profit to be made. This is what small players in the audio market have to try because they do not stand a chance to compete on price. The value of ASR is that it shows these claims for what they are.
But the whole discussion prior, and true entire scope of disagreement, was about sound quality-the possibility of a strictly audible difference in the face of similar measurements.