Personally, I think this is rather academic than an issue in practice like the bit rate/sample rate discussions. The variance from the different kind of speakers and their placement is so different from set up to set up with far more impact than HRTF, that there is no one set up that is for "serious mch music" whatever that means. And then there is the matter of hearing and ear lobe differences as well!
No, since the recording engineer has no idea what kind of a system, layout the content would be played in, there is no one single adjustment that would be correct to do even if possible. If anything, this is best relegated to the system itself when possible and necessary. "Perfect reproduction" is an invention of the audio geek not the recording engineer who is just looking at making it sound balanced and good on a reference system which may be very different from what one hears at home and very different from what was on stage if it was live. Most of the mixing adjustments are gross adjustments such as volume levels, channel balances and tonal balance not some psycho-acoustic factors.
From all the multi-channel music I have heard, there isn't a well-recognized "norm" or "standard" or even an agreement of how a multi-channel sound needs to be in a recording. All of them are done by audio professionals who are more like Chefs with their own idiosyncrasies than some scientific approach. This is true even in stereo recording from the same master tapes.
People need to get away from the idea there is this one magical sound captured in a recording of what it should be like that can be perfectly reproduced elsewhere.
In my opinion, it is more practical to make sure that tonal balances and volume levels and phase differences between speakers are well adjusted and room modes eliminated and not worry about other nitpicking geeky stuff. What you hear is what you get and two people can appreciate the same music equally well even if they are hearing differently even by objective measures. It is lot more productive to spend that time on selecting the right content and learning to listen critically after some minimum thresholds and basic calibration and set up.
If you want to stick mics in both ears and do REW measurements, knock yourself out. It is a hobby after all.
YMMV.