It’s funny you mention this. I recall having a conversation with a Swedish chap who was complaining to me about the less premium feel of his particular JBL, speaker, the 4367 versus the 4365. Which he owned beforehand. Specifically, there was a serious defect with the horn construction, and it’s mounting to the upper cabinet. A gap between the two on only one of the monitors. When he contacted JBL about it, they said that was normal.
JBL has been cutting corners since the mid 2000s, shortly after Harman bought them out. I wouldn’t say this has resulted in products with inferior sonic performance. It anything, the opposite is true.
Some examples of this that I can think of is the finishing of the R&D of the Master Reference (M2) monitor, and it’s continual trickle down into other products, like the 705, and the Synthesis line. Conversely, you can see that JBL moved production from their Woodbridge facilities to Mexico, and also, China. As expected, the attention to detail and care has been lost a bit.
The predecessor to the JBL Synthesis 4367, the 4365, was a speaker with considerable more time and care paid attention to the quality of construction. The crossover board for the 4367 seems hastily put together, with globs of hot glue lying on the board, and less premium look and feel to the fit and finish (the 4365 weighs over 25kg more!) what’s important to note that by all accounts, the 4367 is a surperior sounding speaker to the 4365.
Takeaway from all this? JBL (all of Harman, really. I didn’t even get into my thoughts on Mark Levinson) has been cutting corners where they can, and probably investing some of that savings into R&D. I imagine the costs of running their state of the art testing facilities and keeping engineers on payroll has skyrocketed in the last few decades versus 60 years ago.
Sorry for the bit of a rant! I really wish the build quality of the newer JBL stuff was the same level as even 20 year ago. I sympathize with your concerns.