This is a review and detailed measurements/comparison of AudioQuest Dragonfly Red and CEntrance DACPort HD portable, "thumb drive" sized DAC and headphone amplifiers. Both are kind loan from members. The Dragonfly Red retails for USD $200 from Amazon and DACPort HD for $179.
Physically the DACport HD is fair bit larger than Audioquest although in grand scheme of things, the differential is small:
The Dragonfly Red is made out some kind of metal and runs very cool. The DACPort HD is made out of lighter weight aluminum and runs fair bit warmer.
The DACPort HD has volume control and low/high gain, neither one of which exists on AudioQuest Red. It also supports a range of formats up to 384 kHz PCM sampling and DSD while the Dragonfly Red is stuck in the last decade, limited to 24-bit/96 kHz PCM only.
The DACPort HD requires a cable to connect to USB Port. The Dragonfly as you see just plugs in.
Let's get into measurements and see how they compare.
Measurements
Let's start with Dragonfly Red:
View attachment 19698
Nice to see 2 volt output which means you can use this as DAC with the same nominal output that desktop DACs have. Distortion/SINAD though is not so hot though. Here is the DACPort HD:
View attachment 19699
Voltage output jumps up to more than 4 volts which bodes well for the amount of power it can product. Distortion remains the same though although you gain a few dB by using low gain mode.
Putting them both in context of DACs tested (portable and otherwise), we see them land at the top of tier 4 or bottom of tier 3:
View attachment 19700
Let's test the intermoduation distortion but unlike before, the IMD is plotted against output voltage as opposed to input digital value:
View attachment 19702
In high gain mode, the DACPort HD has higher noise which dominates the performance until the end. The Dragonfly Red has much lower noise but its output starts to saturate pretty early and distortion rises as a result. Low Gain in DACPort though nearly matches the noise floor of Dragonfly Red so you could have that performance with DACPort also.
Jitter and noise is comparable:
View attachment 19703
Both are doing well here and there is no audible concern.
Let's look at all important power versus distortion starting with 300 ohm load:
View attachment 19704
The same performance as IMD test repeats here except we can now quantify the amount of power. Clearly the DACPort HD is more capable, producing 5X more power than Dragonfly Red. Same theme continues at 33 ohm:
View attachment 19705
Here the gap widens even more with DACPort HD in high gain producing an astonishing 0.3 watts of power! This little guy as a lot of mojo under its unassuming case.
Putting all of this together against other small USB DAC & Amps, and sorting based on power at 300 ohm we get:
View attachment 19706
That is a commanding lead for the CEntrance DACPort HD. It has a bit less power in 300 ohm compared to Apogee Grove but then runs circles around it at 33 ohm due to much higher current availability. The tiny USB-C dongles disappear in the dust.
Output impedance is similar although the Dragonfly Red has the edge:
View attachment 19707
Neither should be a concern for all but lowest and wildest impedance headphones you may find.
Since the DACPort HD has a volume control, I decided to run the channel balance test against it:
View attachment 19708
Boy, I did not expect this. The volume control feels like a cheap little potentiometer which I predicted would have horrible balance. Not so at all. There is zero deviation until the end, indicating that it is a mono pot that is sampled. That digital value is likely then used to change the volume in the DAC chip. Very nice!
Listening Tests
I hooked up both units to my AB selector, ganged both units in Roon and started to play my bass heavy headphone test tracks. At similar volume, the fidelity is close but the DACPort has clear headroom. Increasing its volume past what Dragonfly Red could deliver resulted in much more satisfying bass with HD-650 headphones. Highs remained cleaner and the better dynamics resulted in nicer sense of space around instruments. While I had to keep the Dragonfly Red at max to get "pleasurable" volumes, I could operate the DACPort HD at 70 to 100%.
Similar story repeated with Hifiman HE-400i. The DACPort HD makes you almost forget you are generating music out of this little box. The Dragonfly Red not so much.
Fascinating thing happened with this track from Laurie Anderson called
My Compensation,
It is a mix of deep bass and vocals. The DACPort HD handled it fine but on Dragonfly Red the sound would constantly mute/volume limit. Clearly it lacks sufficient power reservoir to handle the peaks in this track.
Conclusions
I have gotten many requests to review the CEntrance DACPort HD and have not had time to review it until now. It is a shame because this is one performant thumb-drive sized USB DAC and Headphone amp. It powers headphones that normally would require desktop DAC and Amps. It doesn't put those products to shame but does with other small devices. Its features such as dual gain settings and perfect channel balance nicely add to the equation. As such,
the DACPort HD gets my recommendation for this class of devices.
The Dragonfly Red would have done much better had it not been in the presence of DACPort HD. It costs more, has less features and has outdated format support. So I can't really recommend it even though I understand its popularity.
-------------
As always, questions, comments, recommendations, etc. are welcome.
The cost of lobster and Dungeness crab have gone through the roof. Please help me afford weekly dinners of those by
donating using:
Patreon:
https://www.patreon.com/audiosciencereview), or
upgrading your membership here though Paypal (
https://audiosciencereview.com/foru...eview-and-measurements.2164/page-3#post-59054).