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In my opinion the Revel house sound is the result of the smoothly downward-sloping in-room curve, ER and power response, plus flat LW. ie. Good FR and smoothly, gently narrowing directivity. This is in contrast to, say the JBL LSR school of constant directivity as much as possible in the design format. For instance, in the LSR705, the LF/MF have a smoothly-declining trend as the directivity of the midwoofer gradually narrows, but the waveguided compression driver is designed to maintain constant-directivity over much of its passband, and this means the in-room, ER and power response curves have a distinctive "kink" from smooth downward slope to flat >1.8kHz, the crossover to the HF. Charles Sprinkle, of JBL M2 and subsequently Kali Audio fame, thinks it may sound less "natural". This is an insight that has shaped my view on directivity. The kink is ultimately a form of discontinuity in the DI, just a different sort of discontinuity from the typical one resulting from bad engineering, because the directivity at crossover is still matched (ie. there's no off-axis narrowing or flare). Our auditory systems may well be latching on this discontinuity. Of course, there are confounding factors like program material and room effects that mean you can't isolate this discontinuity in room, but it certainly provides a compelling account that is both intuitive and consistent with empirical evidence.
I spend sleepless nights pondering this exact question