Like I said - it looks like a great "toy" for adding "flavors" to your music playback - and it's free - my favorite kind of software. There is nothing "wrong" with that form of enjoyment. It's kind of like an audio version of Baskin-Robbins in the USA - 32 flavors of ice cream when you get tired of vanilla or the six flavors at the corner store. The only science you need is computer science to write programs. Far easier than the pursuit of transparency and accuracy in the playback of recorded music. Enjoy it for what it is!
However, most people come to this science-based forum seeking information, data and ideas, and to participate in discussions about how to attain accurate, transparent sound (music) reproduction with great dynamics and maximum frequency response range. And how to do that within their budgets and the limitations of their listening space. That is where science and engineering are challenged - especially when that accurate and transparent audio signal enters a transducer and tries to move ther air throughout your room "accurately."
We all do some of both - playing with our audio toys, and seeking to maximize our enjoyment of recorded music. In the first case, we shouldn't really care if our ear-to-brain path is tricking us, but in the latter, because we know that our brain can fool us, we take up the challenge with science. We know that we will likely enjoy the most "accurate" reproduction, but can also enjoy "flavored" reproduction. In reality, we shouldn't care about accuracy if we enjoy what we hear, but there is an intellectual challenge to testing whether or not we are actually hearing what we think we hear. It is that challenge that makes some of us very finicky about how and when the words "accuracy" and "transparency" are used. And often philosophy and psychology can become entangled in some very nasty and contentious discussions when one or the other tweaks male egos - and most of here are males. It's the nature of this "hobby."
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