I hope not only on vinyl since then I won't be able to listen.
I'm also pretty skeptical of the harp as a solo instrument, but do try to hear the Ginastera Harp Concerto:
I hope not only on vinyl since then I won't be able to listen.
That's how I feel in general.Thanks - I'll listen to your examples on YouTube later.I'm also pretty skeptical of the harp as a solo instrument, but do try to hear the Ginastera Harp Concerto:
Obviously, Ken Ueno has had a successful professional career in the USA. I read his biography once. I have not yet become aware of him in Germany.He [REM: Ken Ueno] was our band's singer.
Interesting, I have not yet considered the topic on this analytic music-theoretical level. That's probably more something for musicians. I pay attention to other things.Last night I was at "What Makes it Great", and Rob Kapilow pointed out this bit of proto-serialism in Mozart #40
Far from damping any visceral effect, I find it enriches my listening. YMMV.Interesting, I have not yet considered the topic on this analytic music-theoretical level. That's probably more something for musicians. I pay attention to other things.
a valid argument regarding those who 'might' have been in possession of a time machine along the way - certainly one was 'wolfie' - no doubt he was simply throwing a 'future preview' at the audience over those eight measures (including the pickup)... it was no accident, despite the accidentals... )Last night I was at "What Makes it Great", and Rob Kapilow pointed out this bit of proto-serialism in Mozart #40...
@Multicore
I had a look at the website of the Goethe-Institut in Boston. It all looks very nice, the building, the street and of course the programme - quite wonderful! It's nice that there are institutions like this that connect people.
Goethe-Institut USA | Boston
Goethe-Institut Boston: German courses, German exams, cultural exchange and country information at Germany’s globally active cultural institute.www.goethe.de
Thinking of US cultural institutes in Germany, the DAI in Heidelberg comes to mind, the city where I was born and lived and worked for years. It was called "Amerika Haus" for short.
DAI Heidelberg - Deutsch-Amerikanisches Institut. Das Haus der Kultur.
DAI Heidelberg - Deutsch-Amerikanisches Institut. Das Haus der Kultur - Veranstaltungen - Jugendprogramm - Internationale Kindergärten - Öffentliche englischsprachige Bibliothek - Sprachschuledai-heidelberg.de
I first really became aware of it when Christo wrapped it in 1969. I was 19 at the time and began to develop a strong interest in modern art. The "intermedia 69" festival attracted over 5,000 art lovers to the city from 16 to 18 May 1969. "Fluxus" was en vogue as a counter-movement to the establishment, in this case a sculpture exhibition planned by the Kunstverein Heidelberg and Klaus Staeck. It was an exhibition that totally shook me up. In my photo you can see Christo's work and my original catalogue of the 1969 art exhibition, which I kept. I later showed it to Klaus Staeck, the initiator at the time, at a meeting in 2009 and he signed the catalogue.
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There are a lot of Christo-inspured art installations in and around Boston at the moment.@Multicore
I had a look at the website of the Goethe-Institut in Boston. It all looks very nice, the building, the street and of course the programme - quite wonderful! It's nice that there are institutions like this that connect people.
Goethe-Institut USA | Boston
Goethe-Institut Boston: German courses, German exams, cultural exchange and country information at Germany’s globally active cultural institute.www.goethe.de
Thinking of US cultural institutes in Germany, the DAI in Heidelberg comes to mind, the city where I was born and lived and worked for years. It was called "Amerika Haus" for short.
DAI Heidelberg - Deutsch-Amerikanisches Institut. Das Haus der Kultur.
DAI Heidelberg - Deutsch-Amerikanisches Institut. Das Haus der Kultur - Veranstaltungen - Jugendprogramm - Internationale Kindergärten - Öffentliche englischsprachige Bibliothek - Sprachschuledai-heidelberg.de
I first really became aware of it when Christo wrapped it in 1969. I was 19 at the time and began to develop a strong interest in modern art. The "intermedia 69" festival attracted over 5,000 art lovers to the city from 16 to 18 May 1969. "Fluxus" was en vogue as a counter-movement to the establishment, in this case a sculpture exhibition planned by the Kunstverein Heidelberg and Klaus Staeck. It was an exhibition that totally shook me up. In my photo you can see Christo's work and my original catalogue of the 1969 art exhibition, which I kept. I later showed it to Klaus Staeck, the initiator at the time, at a meeting in 2009 and he signed the catalogue.
View attachment 265993
Yes, it is a great pity that I have never been to Boston. But I did at least look around a bit with Google there.There are a lot of Christo-inspured art installations in and around Boston at the moment.
...
Yes, it is a great pity that I have never been to Boston. But I did at least look around a bit with Google there.
Thanks, I'll be happy to take a look at the video later. I'm still a bit tired right now.Music transitioning from structure to texture – I found that to be an interesting way of putting it.
Björk interviewing modern composers such as Arvo Pärt:
The conductor Kent Nagano found especially her voice fascinating. He wrote lately in his book: "On a flight to San Francisco, I discovered a video of the Icelandic singer Björk - and knew: This is what the voice of Pierrot Lunaire sounds like. Together we performed Schönberg."
Thanks for your contribution.Yes, sadly they didn’t record it. I heard a short and very poor quality bootleg recording once.