I do, though I've not found it effective with my records. I haven't found much to effective, so I think whatever's causing noise issues with the bad examples I have appears to be rather permanent, or very stubborn.
Some of the more stubborn stuff on bad surfaces, may be grit that was on an uncleaned master - in which case it was in the pressing, and there is nothing we can do.
Having said that - in many cases, we have grit that was pressed into the surface by repeated playing without cleaning - standard cleaning won't budge these - Ultrasonic will get some of them (and if you use extended time ultrasonic, you may get more of it out).
Another approach is to use a lubricant - a cheap alternative is ArmorAll protectant - this will treat and lubricate the vinyl, it contains vinyl plasticisers, which will help with an aging surface (the plasticisers vaporise over time, making the surface harder and more subject to wear, it should have a degree of "give") - but more importantly, the treatment will over a period of time (several days at least) migrate around and under embedded grit, loosening it.
An ultrasonic clean, a week after such an armorall treatment, can in some cases release a surprising amount of grit (visible in the bottom of the ultrasonic bath!) - and the results for some bad case records, can be surprising.
P.S. if trying the Armorall treatment (or treatments such as GruvGlid) - very small amounts go a long way...
also:
P.P.S. : Last record preservative also contains lubricant, specifically Fomblin, but the amount is so small as to make the lubricating effect negligible (also negligible migrating effect to release grit) - I did look into purchasing pure fomblin, but it was just too expensive to make the exercise worthwhile, just to satisfy my curiosity.